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中国当代美学建构的哲学基础之争及其局限
引用本文:单小曦.中国当代美学建构的哲学基础之争及其局限[J].云南社会科学,2005(4):30-33.
作者姓名:单小曦
作者单位:四川大学,文学与新闻学院,四川,成都,610064
摘    要:中国当代美学主要指1980年以来在美学论争中逐渐形成的“旧实践美学”、“新实践美学”、“后实践美学”三大美学理论流派。轰轰烈烈的中国当代美学论争在根子上不过是这些美学流派的哲学基础之争。本文的任务是指出这一理论事实,并着重分析各派美学哲学基础理论的局限,希望能为当代中国美学研究走出困境提供一种思路。

关 键 词:美学的哲学基础  旧实践美学  新实践美学  后实践美学
文章编号:1000-8691(2005)04-0030-04
修稿时间:2005年4月15日

The Dispute and Limitations of the Philosophic Foundations of Contemporary Aesthetics' Construction in China
SHAN Xiao-xi.The Dispute and Limitations of the Philosophic Foundations of Contemporary Aesthetics' Construction in China[J].Social Sciences in Yunnan,2005(4):30-33.
Authors:SHAN Xiao-xi
Abstract:Contemporary aesthetics in China mainly includes three big aesthetic theoretical schools, namely "the old- practice aesthetics", "the new-practice aesthetics" and "the post-practice aesthetics" that have formed gradually since 1980s in the aesthetic arguments. Essentially, the dispute of the contemporary aesthetics of a grand and spectacular scale is only one about the philosophic basis of the different aesthetic schools. The assignment of this article is pointing out this fact, and analyzing the limitations of the philosophic foundations of each aesthetic school in a hope to provide some reference for present dilemma of aesthetics study in China.
Keywords:The hilosophic foundation of aesthetics  The o1d-practice aesthetics  The new-practice aesthetics  The post-practice aesthetics
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