| 从生命的共鸣到审美的超越--试论萨特小说《恶心》中音乐的意义 |
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| 引用本文： | 胡顺琼. 从生命的共鸣到审美的超越--试论萨特小说《恶心》中音乐的意义[J]. 集美大学学报(哲学社会科学版), 2006, 9(1): 98-103 |
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| 作者姓名： | 胡顺琼 |
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| 作者单位： | 华东师范大学,中文系,上海,200062 |
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| 摘 要： | 萨特的小说《恶心》描述了主人公罗冈丹对他自身和外界世界不断觉悟的一段心理历程。音乐在这一过程中扮演了重要角色。探讨小说中几处音乐描写的内涵,对理解主人公观照世界的独特方式以及揭示小说的主题具有关键性意义。
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| 关 键 词： | <恶心>存在音乐 审美 |
| 文章编号： | 1008-889X(2006)01-98-06 |
| 修稿时间： | 2005-04-30 |
From Sympathy in Life to Aesthetic Transcendence--On the Meaning of the Music in Nausea |
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| HU Shun-qiong. From Sympathy in Life to Aesthetic Transcendence--On the Meaning of the Music in Nausea[J]. Journal of Jimei University (Philosophy and Social Sciences), 2006, 9(1): 98-103 |
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| Authors: | HU Shun-qiong |
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| Abstract: | The novel Nausea written by Jean-Paul Sartre is a mystifying look into the persisting existence of Antoine Roquentin (the hero), who longs to find place within (or outside) the world, and the music described in it plays an important role in his consciousness. Thus, it is necessary for us to reveal the significance of the theme in the novel by the music. |
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| Keywords: | Nausea existence music aesthetics |
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