宇宙生成论、绘画起源论、主体创造论的同一说--关于石涛"一画论"的美学思想

石涛试图以哲学的高度,把他对绘画的全部认识贯通起来.他以"一"这个道家特殊的哲学概念替代了以往画论中的"道".这是介于"道"与"万物"之间的一个概念.一方面,它有"道"的生成意义;另一方面,又是物自体."一画"是人类依据于自然的创造,它打破了自然的原始状态,铭刻上人的意志.石涛在继承中国哲学关于宇宙起源、艺术起源学说基础之上,又强调了艺术家主体创造的因素.以此冲破因袭的成法,创造出一个"我法".所以石涛认为,受先于识,要把握一画之法,就要强调艺术家自身对自然的感受,固守成法必然导致自我感受的丧失,惟有不受任何概念束缚的"一画"才能真实地表现自然,也表现自我.

Identity of cosmic origin and painting origin and subjective creation--Shi Tao's aesthetic thought about one line

Using chinese philosophy,Shi Tao try to explain his painting thought.he used one line --the philosophic concept of Taoist school in stead of Dao used at one time in all painting theory.This is the concept between Dao and creatures.On one hand,it has origining meaning of Dao;on other hand,it is object itself.According to nature ,one line is man 's creation.The orignal state of nature is broken by the creation,and it engraved on man's mind.Shi Tao emphasized the element of subjective creation in the philosophic view of cosmic origin and painting origin,and he broke all inherent forms. Therefore,Shi Tao thought that expercene and feeling prior to knowledge.The inherent forms can make artists lose their feeling.Only relying on the one line can artists really express nature and themselves.