| 《哈姆雷特》中的死亡及其代言人 |
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| 引用本文： | 徐欢颜. 《哈姆雷特》中的死亡及其代言人[J]. 石河子大学学报(哲学社会科学版), 2009, 23(3): 59-63 |
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| 作者姓名： | 徐欢颜 |
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| 作者单位： | 北京大学,比较文学与比较文化研究所,北京,100871 |
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| 摘 要： | 《哈姆雷特》戏剧中死亡占据重要地位,在哈姆雷特身上及其周围都有死亡面影的闪动。该文从戏剧结构、死亡意识体现和人物关系结构三方面分析《哈姆雷特》中死亡的地位及其产生的戏剧效果;以戏剧第五幕第一场为例,从小丑的设置和掘墓人的独特创造入手来分析死亡角色在墓园一场的表演;最后,从舞台表演的角度探讨死亡在《哈姆雷特》剧场表演中的可能性。
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| 关 键 词： | 《哈姆雷特》 死亡 掘墓人 代言人 死亡的剧场表现 |
The Death and Its Representation in Hamlet |
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| XU Huan-yan. The Death and Its Representation in Hamlet[J]. Journal of SHIHEZI University(Philosophy and Social Science), 2009, 23(3): 59-63 |
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| Authors: | XU Huan-yan |
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| Affiliation: | XU Huan-yan (Research Institute of Comparative Literature and Comparative Culture, Beijing University, Beijing 100871, China) |
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| Abstract: | The shadow of death in Hamlet and other roles is very important in theatre. From the structure, the consciousness of death and the relation of roles, this paper tries to analyze the position and the effect of death in theatre. In Act 5 scene 1, the role of death looks for spokesman-clown and grave-digger-to represent his discourse. And it would reveal how the death performs on the stage. |
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| Keywords: | Hamlet death grave-digger spokesman the performance of death on stag |
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