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东晋赋学批评的分期及时代特征
引用本文:冷卫国.东晋赋学批评的分期及时代特征[J].北方论丛,2005(5):9-15.
作者姓名:冷卫国
作者单位:中国海洋大学,文学院,山东,青岛,266071
摘    要:东晋100多年间,玄言和山水是辞赋创作的主要取向.在赋学批评的理论形态上,则展现出儒学与玄学杂糅并存的色彩.强调赋是陶冶性灵、抒发怀抱之具,重视赋作声韵的和谐、文气的酣畅,是东晋赋学批评所表现出的新的特点.而本时期辞赋作家对声韵的讨论研求,更是我们探讨永明声律说以及赋的诗化和骈化所应当注意的重要参照.

关 键 词:东晋  赋学批评  孙绰  王羲之  陶渊明  谢灵运
文章编号:1000-3541(2005)05-0009-07
收稿时间:04 15 2005 12:00AM
修稿时间:2005-04-15

The Period Scale of Fu Criticism in East Jin and Time Features
LENG Wei-guo.The Period Scale of Fu Criticism in East Jin and Time Features[J].The Northern Forum,2005(5):9-15.
Authors:LENG Wei-guo
Institution:Faculty of Arts, Ocean University of China, Qingdao, Shandong 266071, China
Abstract:According to the theory of Fu criticism, Fu mainly reflects Confucianism and Metaphysics.The new features of Fu criticism in East Jin emphasizes that Fu can purify the nfind and express the emotion. The research on the rhythm of the writer of Fu in East Jin made great contribution to our exploration of Fu.
Keywords:Fast Jin  Fu criticism  Sun Zhuo  Wang Xizhi  Tao Yuanming  Xie lingyun
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