| 中西古典悲剧创作特点之比较 |
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| 引用本文： | 黄一斓,高峰. 中西古典悲剧创作特点之比较[J]. 西南交通大学学报(社会科学版), 2006, 7(4): 71-74 |
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| 作者姓名： | 黄一斓 高峰 |
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| 作者单位： | 1. 浙江大学人文学院,浙江,杭州,310028
2. 浙江大学哲学系,浙江,杭州,310028 |
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| 摘 要： | 悲剧是一个文艺理论著作中广泛使用的概念。在中国传统戏曲理论中,与西方悲剧概念相对应的只有“苦戏“、“哀曲”、“怨谱”之类说法。中国古代的“苦戏”与西方古典悲剧在创作实践上有各自的特点和差异,主要表现在悲剧人物的选择、悲剧冲突的展现、悲剧结构的安排、悲剧结局的设置等四个方面。
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| 关 键 词： | “苦戏” 古典悲剧 人物 冲突 结构 结局 |
| 文章编号： | 1009-4474(2006)04-0071-04 |
| 修稿时间： | 2005-12-26 |
A Comparison of Characteristics between Chinese and Western Classical Tragedy Creation |
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| HUANG Yi-lan,Gao Feng. A Comparison of Characteristics between Chinese and Western Classical Tragedy Creation[J]. Journal of Southwest Jiaotong Universit(Social Science Edition), 2006, 7(4): 71-74 |
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| Authors: | HUANG Yi-lan Gao Feng |
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| Abstract: | Tragedy,a widely used concept in the literary and artistic theory works,is often called "grief opera" or "mournful drama" in Chinese traditional opera theory.The creation characteristics and differences between Chinese "grief opera" and western classical tragedy are mainly showed in four aspects: the selection of characters,the presentation of conflict,the design of structure and the arrangement of ending. |
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| Keywords: | grief opera classical tragedy character conflict structure ending |
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