| 水彩画的本体语言发展与形式创新 |
| |
| 引用本文： | 赵曦.水彩画的本体语言发展与形式创新[J].郑州大学学报(哲学社会科学版),2007,40(5):174-176. |
| |
| 作者姓名： | 赵曦 |
| |
| 作者单位： | 郑州大学,美术系,河南,郑州,450001 |
| |
| 摘 要： | 从水彩画的本体语言以及水彩画发展的历史来看,过多地强调本体语言将成为水彩画发展的桎梏。当代水彩画的多元化趋势非但不会导致水彩画丧失其本体语言,恰恰相反,这正是中国当代水彩画的进步。就形式而言,媒介、材料、技法等的变通和不断创新,是水彩画长久发展的必由之路。
|
| 关 键 词： | 水彩画 本体语言 形式 |
| 文章编号： | 1001-8204(2007)05-0174-03 |
| 修稿时间： | 2007年3月20日 |
Watercolour Painting: Development and Innovation of Its Artistic Language |
| |
| ZHAO Xi.Watercolour Painting: Development and Innovation of Its Artistic Language[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2007,40(5):174-176. |
| |
| Authors: | ZHAO Xi |
| |
| Abstract: | In the perspective of the history of watercolour painting and the development of its artistic language,we can conclude that overemphasis on the artistic language will be an obstacle to the development of watercolour painting.The various tendencies of its development will by no means lead to the disappearance of its artistic language.The innovations of the media,materials and techniques are indispensable to the development of watercolour painting. |
| |
| Keywords: | watercolour painting artistic language form |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
