打破区隔：泛文本视角下《芥子园画传》的美学价值

《芥子园画传》作为传统绘画的教本，是文人画家组织生产的结果，它代表着文人画的价值理念和意识形态，在金陵城里有着浓厚商业氛围的书肆书坊中出售。对《芥子园画传》的批评反衬了山水表达的模式化、雕版印刷的现实性以及绘画学习的方便性，它们将带来传统绘画的普泛化和浅俗化，是新的美学价值生成的契机。和传统的画谱相比，《芥子园画传》提供的学习方法可让初学者在短期内掌握绘画技巧和知识点，为登堂入室打下良好基础，它也有意识地连接到历史上名家的画法、画作，使文化资源的获取变得容易。通过借助李渔和芥子园品牌效应的推广，《芥子园画传》终结了传统绘画学习方面的资源垄断，打破了文化对社会阶层的区隔，开辟了中国绘画走向现代性、平民化的路径。

Breaking the Boundary:The Aesthetic Value of The Mustard Seed Garden from a Contextual Perspective

As the teaching book of traditional painting,The Mustard Seed Garden is the result of the production organized by literati painters.It represents the value concept and ideology of literati painting and is sold in the bookstores with a strong commercial atmosphere in Nanjing.The criticism of The Mustard Seed Garden contrasts with the patterning of landscape expression,the realism of woodblock printing,and the convenience of painting learning,which will bring about the generalization and vulgarization of traditional painting,and is an opportunity for the generation of new aesthetic values.Compared with the traditional painting,the learning method provided by The Mustard Seed Garden can help beginners master painting skills and knowledge points in a short period of time and lay a good foundation for staying on track.It also consciously links to the painting methods and paintings of famous artists in history,making it easier to obtain cultural resources.With the help of Li Yu and the promotion of the mustard garden brand effect,The Mustard Seed Garden ends the monopoly of resources in traditional painting learning,breaks the gap between culture and social class,and opens up a path for Chinese painting to become modern and popular.