| 现当代欧美短篇小说刍议 |
| |
| 引用本文： | 孙莉娜.现当代欧美短篇小说刍议[J].学术交流,2005(8):168-171. |
| |
| 作者姓名： | 孙莉娜 |
| |
| 作者单位： | 浙江万里学院,大学外语部,浙江,宁波,315100 |
| |
| 摘 要： | 欧美短篇小说在经历大约150年的发展历程后,已成为一种完美的文学形式。当代短篇小说在技巧上的变化和发展主要体现在以下几方面:一、对情节的处理比现代短篇小说更干脆,淡化甚至取消情节。二、大都采用客观叙述和有限叙述。三、人物多是与环境隔绝的“孤独的人”。缺乏令人发笑的情境和喜剧成分。四、许多短篇小说酷似寓言。
|
| 关 键 词： | 短篇小说 技巧 情节 有限视角 |
| 文章编号： | 1000-8284(2005)08-0168-04 |
| 修稿时间： | 2004年12月22 |
The New Trend of the Contemporary American-European Short Stories |
| |
| SUN Li-na.The New Trend of the Contemporary American-European Short Stories[J].Academic Exchange,2005(8):168-171. |
| |
| Authors: | SUN Li-na |
| |
| Abstract: | Short stories have become a perfect literature form after developing for about 150 years in American and European countries. The changes and development of contemporary short stories in skill can be represented from the following aspects: more direct plotting, diminishing plots, compared with modern short fictions; widely using objective narration and limited narration; chief characters most of them are lonely men isolated from the world; lack of laugh-trigging scenes and comedy elements; inclining to allegory. |
| |
| Keywords: | short stories skills plot limited angle of views |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
