| 论《塞莱斯蒂娜》的文体之争 |
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| 引用本文： | 李亦玲.论《塞莱斯蒂娜》的文体之争[J].暨南学报,2008,30(6). |
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| 作者姓名： | 李亦玲 |
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| 作者单位： | 暨南大学外国语学院 |
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| 基金项目： | 暨南大学校科研和教改项目 |
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| 摘 要： | 围绕着《塞莱斯蒂娜》的文体,国内外的学者们争论了多年,究竟是戏剧,还是小说,至今仍未能统一看法。笔者在文章中就《塞莱斯蒂娜》的文体之争表明了自己的观点:《塞莱斯蒂娜》是一部戏剧,而且是一部悲喜剧,一部应该归入案头剧范畴的悲喜剧。
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| 关 键 词： | 费尔南多·德·罗哈斯 《塞莱斯蒂娜》 文体 |
Continuation of the style controversy about La Celestina in China-a play or a novel |
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| LI Yi-ling.Continuation of the style controversy about La Celestina in China-a play or a novel[J].Journal of Jinan University,2008,30(6). |
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| Authors: | LI Yi-ling |
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| Abstract: | The experts abroad have discussed for many years around the style of La Celestina.Is it a play or a novel? There has been no unanimous view until today.In China,about this question,the experts only limit themselves to simple presentation in the beginning.And later,they pass gradually to active investigations.The author makes analyses and sums up in the present article concerning the continuation of the style controversy about La Celestina in China,and what's more,exbibits all reasons in favour of considering it as a play. |
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| Keywords: | Fernando de Rojas La Celestina style |
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