| 论岩画、青铜器动物纹饰艺术中的游猎民族生命美学意蕴 |
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| 引用本文： | 乌冉.论岩画、青铜器动物纹饰艺术中的游猎民族生命美学意蕴[J].内蒙古民族大学学报(社会科学版),2009,35(3):27-32. |
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| 作者姓名： | 乌冉 |
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| 作者单位： | 内蒙古社会科学院,文学所,内蒙古,呼和浩特,010000 |
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| 摘 要： | 草原文化因古代欧亚大陆游牧世界的一体性而获得世界性品格.蒙古高原游牧民族的生命哲学,以重视生命的感性体验、肯定生命流变、感受生命的严酷与崇高为主旨,其生命价值观有着极其独特的表现形式.本文借助西方现代生命哲学、美学思想之光,试图寻访古代牧猎族群卓越的感性生命艺术遗存,作为个案分析,以岩画与青铜器动物纹饰艺术为对象,去透显游牧先民于生命历程中创造的精神文化世界,挖掘其合理内核,使之在现代文明进程中发扬光大.
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| 关 键 词： | 生命 本能 意义 符号 审美范式 |
On Connotation of Aesthetics of Life of Nomadic Civilization in the Art of Grotto Paint and Bronze |
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| Wuran.On Connotation of Aesthetics of Life of Nomadic Civilization in the Art of Grotto Paint and Bronze[J].Journal of Inner Mongolia University for Nationalities(Social Sciences),2009,35(3):27-32. |
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| Authors: | Wuran |
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| Institution: | Inner Mongolia Academy of Social Science;Huhhot 010000;China |
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| Abstract: | The study of"life philosophy" originated in the West in 1920s,making ontology of life a core sphere of literature and arts and even developing the exploration to be aesthetics of life,and consequently provided a solid philosophical foundation for spirit of life to be understood in modern perspectives.Nomadic civilization,having formed in a vast geographical space in Eurasian steppe,possesses a quality of international dimension.The philosophy of life among the Mongol nomads bestowed extremely unique forms t... |
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| Keywords: | Life Instinct Meaning Symbol Aesthetics style Violence Lofty |
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