首页 | 本学科首页   官方微博 | 高级检索  
     

从郭沫若的历史剧观其乐观主义的悲剧观
引用本文:冯红. 从郭沫若的历史剧观其乐观主义的悲剧观[J]. 黑龙江社会科学, 2005, 0(3): 89-91
作者姓名:冯红
作者单位:东北农业大学,人文学院,黑龙江,哈尔滨,150030
摘    要:郭沫若以诗人的气质与激情,以史学家的精湛研究,以革命家的远见卓识,将历史故事和历史人物搬上舞台,使他的历史剧有了独特的风格。以史学家作剧,在大关节目上不失历史之真实;以诗人作剧,则剧中充满诗的韵味;以革命家作剧,则能紧紧地握住时代的脉搏,具有强烈的时代意义。因此可以说郭沫若的历史剧是史、剧、诗和谐的统一。

关 键 词:文学创作  郭沫若  悲剧观
文章编号:1007-4937(2005)03-0089-03
修稿时间:2005-03-16

View His Tragic Concept of Optimism from Historical Play by Guo Mo-ruo
FENG Hong. View His Tragic Concept of Optimism from Historical Play by Guo Mo-ruo[J]. Heilongjiang Social Sciences, 2005, 0(3): 89-91
Authors:FENG Hong
Abstract:Guo Mo-ruo is with the poet's makings and passion,with the historian's consummate research,foresight and sagacity of revolutionary, present historical story and historical personage on the stages, makes his historical play have a unique style. The historian makes drama, which does not lose history truth on the big joint eye; The poet makes drama, which is then full of sophisticated appeals of poem in the drama; The revolutionary makes drama,which can hold the pulse of the times tightly,and has strong era meanings. So we can say,Guo Mo-ruo's historical play is harmonious unity of history, story, drama and poem.
Keywords:literary creation  Guo Mo-ruo  tragic view  
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号