| 波德莱尔与中国“象征派”诗艺 |
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| 引用本文： | 吴忠诚.波德莱尔与中国“象征派”诗艺[J].江汉大学学报(社会科学版),2001,18(2):55-62. |
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| 作者姓名： | 吴忠诚 |
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| 作者单位： | 武汉教育学院,中文系,湖北,武汉,430010 |
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| 摘 要： | 对中国象征派来说，波德莱尔的影响是全面的，深刻的，从美学观念到思维方法到表现技法，无不带有这种影响的印记，作为中国最早的现代主义诗歌流派，在引进波德莱尔诗艺时表现出的某种程度的稚嫩，是不可避免的；但在引进时表现出的勇气和再创造精神却是难能可贵的，值得我们珍视的。
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| 关 键 词： | 波德莱尔 中国“象征派” 诗歌艺术 比较 美学观念 思维方法 表现技法 |
| 文章编号： | 1006-639X(2001)02-0055-08 |
Baudelaire and the Symbolistic Poetry Art in China |
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| WU Zhong,cheng.Baudelaire and the Symbolistic Poetry Art in China[J].Journal of JIanghan University:Social Sciences,2001,18(2):55-62. |
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| Authors: | WU Zhong cheng |
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| Abstract: | Baudelaire's influence was comprehensive and profound to the Symbolism of China.The marks of this influence existed in the aesthetics concept,the mode of thinking and the technique of expression.In China,the Symbolism was the initial stage of the modernistic poetry,so the naivety manifested in its introducing Baudelaire's poetry art was inevitable.However the courage and the spirit of re creation displayed during the stage of introduction are estimable and deserve our respect. |
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| Keywords: | Baudelaire the Symbolism of China poetry art exploration by compare |
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