20世纪现代调性思维辨析纲要

本文以20世纪现代乐派的创作思维与技法为切入点,以现代乐派调性特征为辨析对象,运用比较法和实例分析法对调性思维的沿革过程、调性发展的主要途径、调性对位的特征、多调性对位的历史渊源及多调性对位的类型作出论证,以此说明多调性创作作为20世纪初开始的新型调性思维,是20世纪现代乐派作曲家采取的一种既脱胎调性体系又力求远离调性体系的重要创作手法.

The Differentiating and Aanalyzing Outline of the Thinking of 20th Century Tonality

This article enters from the creation thought and technique of contemporacy music, analyzes the characer of tonality of contemporacy music. It gives proof to the developing history of tenality thought, the main ways of toanlity's development, the charater of tonality counterpoint, the original of multi - tonality counterpoint and the types of multi - tonality counterpoint. All above is in order to prove that multi tonality creation, a new kind of tonality thought which came about at the beginning of 20th, century, is an important technique of creation which comes from tonality system whereas try to keep away from it and is adopted by the musician in Contemporacy music in 20th century.