Some realities of African agriculture: A reply to professor Tomlinson and professor Bisschop

This paper on the use of performances of oral literary genres in South African political organisations such as Inkatha, in Zulu Royal institutions, and in trade union movements (FOSATU, MAWU, SAWU, and others), is concerned with the use of the past in contemporary political activity, and with the question of whether oral literature will survive as a viable genre. The pressure exerted on oral literature by written genres seems to threated their continued existence, yet oral genres continue to have significant power in contemporary culture and politics. Several examples are presented to show the adaptation of the oral izibongo genre, and other forms of orally‐performed poetry, to contemporary contexts.