The anxiety of affect: melodrama and South African film studies

This paper argues that the realist approach typically adopted in South African film studies reduces films to message‐bearing narratives in a way that ignores the specificity of the medium. Conversely, melodrama both as cinematic genre and as expressive register explicitly draws our attention away from issues of right representation to other neglected but essential dimensions of cinema. We argue that, far from being morally reductive or politically quietist, melodrama is a representational mode wholly appropriate to understanding the South African context including the painful stories of its apartheid past. To illustrate this broader critical point we offer an analysis of two films (of 2004) about the Truth and Reconciliation Commission (TRC) – In My Country and Forgiveness – which, we argue, can only be adequately understood if their uses of the visual and affective strategies of melodrama, which are consonant with aspects of the TRC itself, are acknowledged.