| Abstract: | Subcultures are distinguished in terms of what they are not, highlighting differences with broader cultural characteristics. From this perspective, authenticity is drawn from external contrasts. This ethnographic study of a local punk scene shows that internal comparisons among participants centered on consumption styles also construct authenticity. This activity was dominated by three indigenous cultural processes: the publicized possession of consumer goods, stylized presentations of self, and conversational display of acquaintance with punk esoterica. In contrast to previous studies, this article shows how the interpretive particulars of consumption in talk and interaction move beyond style alone to feature the fluid complexity of punk authenticity. |
