| 波德莱尔与中国“象征派”之比较 |
| |
| 引用本文： | 吴忠诚.波德莱尔与中国“象征派”之比较[J].武汉科技大学学报(社会科学版),2001,3(2):50-54. |
| |
| 作者姓名： | 吴忠诚 |
| |
| 作者单位： | 武汉教育学院中文系, |
| |
| 摘 要： | 对中国象征派来说,波德莱尔的影响是全面的、深刻的,从美学观念到思维方法到表现技法,无不带有这种影响的印记.作为中国最早的现代主义诗歌流派,在引进波德莱尔诗艺时表现出的某种程度的稚嫩,是不可避免的;但在引进时表现出的勇气和再创造精神却是难能可贵的,值得我们珍视的.
|
| 关 键 词： | 波德莱尔 中国“象征派” 诗歌艺术 比较探索. |
| 文章编号： | 1009-3699(2001)02-0050-05 |
| 修稿时间： | 2001年2月25日 |
Baudelaire and the Symbolistic Poetry Art in China |
| |
| WU Zhong-cheng.Baudelaire and the Symbolistic Poetry Art in China[J].Journal of Wuhan University of Science and Technology(Social Science Edition),2001,3(2):50-54. |
| |
| Authors: | WU Zhong-cheng |
| |
| Abstract: | Baudelaire's influence is comprehensive and profound to the symbolism in China.The mark of this influ-ence exists in aesthetic concepts,mode of thinking and techniques of expression.In China,the symbolism is the ini-tial stage of modernistic poetry,so the naivety manifested when introducing Baudelaire's poetry art is inevitable. But the courage and spirit of re creation displayed during the introduction is estimable, deserving our considerable atten-tion. |
| |
| Keywords: | Baudelaire the symbolism in China poetry art contrastive exploration |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
