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张玉良:从传记到影视——对《画魂》三个版本的阐释学分析
引用本文:孙吉民. 张玉良:从传记到影视——对《画魂》三个版本的阐释学分析[J]. 重庆邮电学院学报(社会科学版), 2008, 0(1): 95-99
作者姓名:孙吉民
作者单位:中国传媒大学影视艺术学院 北京100024
摘    要:阐释学关学认为:理解具有历史性,阐释者具有“偏见”,理解的过程是理解者和文本的视域融合,理解活动是一种游戏。一个文本没有确定的真实,只有不断被阐释的历史。反映张玉良传奇人生的艺术作品是否符合历史真实已经不重要了,重要的是这些作品阐释出了各自不同的张玉良。在不同的视野中,在不同的历史语境中,张玉良现身为不同的面貌。当我们凝视这些历史流传物的时候,也获得我们自己独特的理解。

关 键 词:张玉良  《画魂》  阐释学

Zhang Yuliang:From Biography to Film and Television
SUN Ji-min. Zhang Yuliang:From Biography to Film and Television[J]. Journal of Chongqing University of Posts and Telecommunications(Social Science Edition), 2008, 0(1): 95-99
Authors:SUN Ji-min
Affiliation:SUN Ji-min (School of Cinema and Television Arts, Communication University of Chine , Beij in g 100024, China)
Abstract:The aesthetics of hermeneutics thinks that the comprehension which is historical contains the prejudice of elucidator.The process of understanding is the combination of the visions from the comprehener and text,and the understanding activity is a kind of play.A text has no absolute trueness but only successively interpreted history.Whether the artistic works about Zhang Yuliang's life conform to the historical reality is not so important,but it is crucial that these works interpret Zhang Yuliang from different aspects.From different view and historical context,Zhang Yuliang has been acted in different ways.When we read these historical works,we will have our own understanding about the painter.
Keywords:Zhang Yuliang  Painting Soul  hermeneutics
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