| 试论陈子昂的诗论、诗作及其历史地位 |
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| 引用本文： | 阮礼军. 试论陈子昂的诗论、诗作及其历史地位[J]. 西昌学院学报(社会科学版), 2006, 18(4): 40-43 |
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| 作者姓名： | 阮礼军 |
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| 作者单位： | 四川师范大学文学院 四川成都610068 |
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| 摘 要： | 针对南朝绮丽柔靡的诗风,陈子昂鲜明地提出了以兴寄、风骨为中心的文学革新理论,并在创作上实践了这种新的理论,对盛唐诗歌的繁荣产生了积极的影响。本文重点分析了陈子昂诗歌理论、创作实践及其在中国文学史上地位。
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| 关 键 词： | 陈子昂 诗歌理论 诗歌创作历史地位 |
| 文章编号： | 1673-1883(2006)04-0040-04 |
| 修稿时间： | 2006-09-05 |
On Cheng Zi-ang''s Poetic Theory, Writings and His Status in the History |
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| RUAN Li-jun. On Cheng Zi-ang''s Poetic Theory, Writings and His Status in the History[J]. Journal of Xichang College(Social Science Edition), 2006, 18(4): 40-43 |
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| Authors: | RUAN Li-jun |
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| Abstract: | Chen Zi-ang brought out a literary renovation theory trenchantly centerring on Fenggu and Xingji to oppose the gorgeous and effeminate poetry style in Nan Dynasty,and practiced the new theory in his writings,which put positive effect on the prosperity for poetry in crowning Tang Dynasty.This essay mainly analyzes Chen Zi-ang's poetic theory,his practice in poetic writings and his status in Chinese literary history. |
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| Keywords: | Chen Zi-ang Poetry Theory Practice in Writing Status in the History |
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