洪武朝的礼乐制作与明代宫廷戏剧的复苏

明朝开国首开礼乐二局以重建礼乐规范，本着制乐以节乐的礼乐原则和功利性的礼乐观，洪武朝进行了一系列的礼乐制作，如制定礼书乐典，设立太常寺、教坊司、钟鼓司等礼乐机构，建立以教坊司为核心的乐籍制度等，意在通过礼乐制作，将本属于俗乐的乐府小令、杂剧百戏等纳入到雅乐系统，以雅乐规范俗乐，并最终实现礼乐一统的目的。而这一系列礼乐制作，也在一定程度上为杂剧戏曲等俗乐的兴起开了方便之门，宫廷戏剧在洪武朝开始趋于复苏。

On the Ritual and Music Productions and the Revival of Court Theatre in the Hong Wu Reign, the Ming Dynasty

At the very beginning of the Ming Dynasty,Ritual and Music Bureau were firstly built to reestablish the norm of Chinese Rites and Music.In the spirit of the ritual and music principles of producing and controlling music,a series of ritual and music productions were completed,such as the compilation of books and records,the foundation of official institutions(Taichangsi,Jiaofangsi and Zhonggusi),the building of music regulations,etc.Its purpose was to unify the ritual and music by combining the shorter poetries and poetic dramas,which was considered as vulgar,into the so-called elegant ones.To some extent,it was the ritual and music productions that happened to make the poetic dramas flourishing,which marked the revival of court theatre in Hong Wu Reign,the Ming Dynasty.