| 论青瓷与中国艺术精神的绵延 |
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| 引用本文： | 费利君.论青瓷与中国艺术精神的绵延[J].洛阳工学院学报(社会科学版),2014(3):52-55. |
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| 作者姓名： | 费利君 |
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| 作者单位： | 安徽工程大学艺术学院,安徽芜湖241000 |
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| 摘 要： | 青瓷自东汉问世以来，最初作为一种日用工艺品，主要以工具的面貌出现；但在历史流变中，青瓷逐渐成为中国古代社会各阶层都喜闻乐见的艺术品。青瓷艺术化的历程，除了技术的因素外，更是中国传统艺术精神在古瓷上的绵延和体现。
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| 关 键 词： | 青瓷 艺术精神 器物文化 文化绵延性 |
The Stretch of Celadon and the Spirit of Chinese Art |
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| FEI Li-jun.The Stretch of Celadon and the Spirit of Chinese Art[J].Journal of Luoyang Institute of Technology(Social Science),2014(3):52-55. |
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| Authors: | FEI Li-jun |
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| Institution: | FEI Li-jun (School of Arts, Anhui Polytechnic University, Wuhu 241000, China) |
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| Abstract: | Since the advent of celadon from the Eastern Han Dynasty, it was originally used as a daily crafts, mainly appearance in tools. However, in the development of history, celadon has gradually become works of art loved by people from all levels of the ancient Chinese society, whose art cause is not more technical factors than the stretch and embodiment of Chinese traditional art spirit in ancient porcelain. |
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| Keywords: | celadon artistic spirit the culture of artifacts the stretch of culture |
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