| 论立体主义的艺术反叛 |
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| 引用本文： | 王晓玲. 论立体主义的艺术反叛[J]. 石河子大学学报(哲学社会科学版), 2006, 20(6): 81-83 |
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| 作者姓名： | 王晓玲 |
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| 作者单位： | 西北师范大学,美术学院,甘肃,兰州,730071 |
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| 摘 要： | 立体主义是人类艺术史上具有反叛性的艺术革命。它彻底推翻了自文艺复兴以来一直起作用的焦点透视规律,形成了平面的多视点透视;它把拼贴手法引入绘画,采用几何图形来表现物象,摧毁了西方艺术的表现中心。
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| 关 键 词： | 立体主义 多视点 平面 反叛 |
| 文章编号： | 1671-0304(2006)06-0081-03 |
| 修稿时间： | 2006-09-25 |
On Stereoscopic Art Rebellion |
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| WANG Xiao-ling. On Stereoscopic Art Rebellion[J]. Journal of SHIHEZI University(Philosophy and Social Science), 2006, 20(6): 81-83 |
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| Authors: | WANG Xiao-ling |
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| Abstract: | Stereoscopicalism is a rebellious art revolution in the historg of human art.It has totally overthrown the focal perspective regulation,formed the plane petspective of multi-points since the renaissance.It has introduced joining and pasting method into painting,expressed pictures by using geometry form,put away the western artistic expressive hub. |
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| Keywords: | stereoscopicalism multi-perspective points plane rebellion |
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