| 论中国古代诗论、画论在文体上的相通与互渗 |
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| 引用本文： | 阎霞.论中国古代诗论、画论在文体上的相通与互渗[J].三峡大学学报(人文社会科学版),2002,24(5):41-45. |
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| 作者姓名： | 阎霞 |
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| 作者单位： | 华中师范大学,文学院,湖北,武汉,430079 |
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| 摘 要： | 中国古代素有“诗画同源”和“诗画一律”之说 ,这种“同源”和“一律”的关系也表现在诗论与画论的文体上。中国古代的诗论与画论 ,无论是内容上还是形式上都存在着相通与互渗之处。本文试从文体样式、批评话语以及内在品格三个方面 ,来讨论中国古代诗论与画论在文体上的相通与互渗之处
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| 关 键 词： | 诗论 画论 文体 |
| 文章编号： | 1009-1769(2002)05-0041-05 |
| 修稿时间： | 2002年2月1日 |
Penetration of Poem Critics and Painting Critics in Style in Ancient China |
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| YAN Xia.Penetration of Poem Critics and Painting Critics in Style in Ancient China[J].Journal of China Three Gorges University(Humanities & Social Sciences),2002,24(5):41-45. |
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| Authors: | YAN Xia |
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| Abstract: | In ancient China, it was said that poetry and painting share the same origin. It is also the case with poem critics and painting critics, which, both in content and in form, have similarities. This paper attempts to discuss the similarities in terms of writing styles, critical remarks and intrinsic features. |
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| Keywords: | poem critics painting critics writing styles |
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