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《去年在马里安巴》浅探
引用本文:姚公涛. 《去年在马里安巴》浅探[J]. 盐城师范学院学报, 2003, 23(1): 63-67
作者姓名:姚公涛
作者单位:盐城师范学院中文系 江苏盐城224002
摘    要:《去年在马里安巴》是罗布·格里耶六十年代初期创作的一部产生轰动效应的电影小说 ,作为“新小说”在电影领域的一部探索性作品 ,它在时空安排、场景勾勒和人物塑造等方面表现出了独特的魅力。在这部作品中 ,罗布·格里耶将对传统时空反动的着眼点投向对多维时空的构建和时空对人物的功用这两个方面。文本勾勒的几个重要场景 ,则显示了“写物作家”罗布·格里耶的独特风格 ,同时表现出叙述者对场景与故事关系的非人格化的判断。文本中的人物是受“物”左右几乎淹没于物象之中的形象 ,“物”对于人的行动和思绪起着不可忽视的控制作用。

关 键 词:《去年在马里安巴》  时空  场景  人物
文章编号:1003-6873(2003)01-0063-05
修稿时间:2002-09-02

A Tentative Study on In Mariana Last Year
YAO Gong-tao. A Tentative Study on In Mariana Last Year[J]. Journal of Yancheng Teachers College(Humanities & Social Sciences Edition), 2003, 23(1): 63-67
Authors:YAO Gong-tao
Abstract:The film novel In Mariana Last Year by Rob Greeya created a great sensation in the early 1960s. As an experimental "new novel" in the field of film, it charms by its exquisite treatment of time and space, scenes, and character portrayals. The writer focuses on the construction of unconventional, multidimensional time and space and their function on the characters. The several important scenes in the text evidence Greeya's ability in describing objects, and also show the narrator's impersonalized judgments on the relationship between the scenes and the story. Characters in the novel are images dominated by, and albeit submerged in, objects; objects exert on characters' action and thinking a tremendous control not to be ignored.
Keywords:In Mariana Last Year  time and space  scene  character
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