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人与自然对话的基本范式
引用本文:张强.人与自然对话的基本范式[J].南京工业大学学报(社会科学版),2003,2(1):13-21.
作者姓名:张强
作者单位:淮阴师范学院,江苏,淮阴,223001
摘    要:神话是人与自然对话的第一个范式 ,它的发生来源于自然崇拜。继神话范式以后 ,人与自然对话的第二个范式是哲学。哲学从神话中提升经历了两个根本性的转变 ,一是它消除了神灵信仰造成的误区 ,以经验关心宇宙的本原 ;二是它把探索宇宙本原的重心转移到人的方面。人与自然对话的第三个范式是艺术范式。艺术范式诞生于神话与哲学的母体之中 ,神话与哲学分别以形象思维与逻辑思维为起点 ,这两种方式贯穿于思维活动的始终 ,直接哺育着人类的艺术创造

关 键 词:人与自然  对话  范式  神话型  哲学型  艺术型
文章编号:1671-7287(2003)01-0013-09
修稿时间:2002年10月8日

The Elemental Mode of the Conversation between Human and Nature
Zhang Qiang.The Elemental Mode of the Conversation between Human and Nature[J].Journal of Nanjing University of Technology(Social Science Edition),2003,2(1):13-21.
Authors:Zhang Qiang
Institution:Zhang Qiang
Abstract:The first mode of the conversation between human and nature is myth that originated from the worship to nature. The second mode is philosophy, which has passed two radical changes during the elevation from myth. One is to pay attention to the origination of universe with experiences instead of eliminating the mistake made by the belief of gods; the other is to shift its attention from exploring universal origination onto the aspect of human. The last mode is art, which was born in the matrix of myth and philosophy. Myth and philosophy regard image thought and logical thought as their own starting points. The two ways penetrate the whole course of the activity of thought and foster directly the human artistic creation.
Keywords:human and nature  conversation  mode  mode of myth  mode of philosophy  mode of art  
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