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巴托克《第三弦乐四重奏》第一乐章结构划分解析
作者单位:淄博师范高等专科学校艺体教育系 山东淄博255130
摘    要:音乐总是要有段落划分的,如果对曲式结构清楚了,对音乐的理解自然也就很容易更加深入了,在传统音乐中其重要标志便是和声终止式。但是在巴托克《第三弦乐四重奏》这样的20世纪现代音乐的代表作中,是不再采用大小调体系的,传统的和声终止式因而也就不存在了。那么,这第一乐章的结构是怎样的以及由哪些因素影响了这一乐章的段落划分便是对此乐章进行研究的切入点。

关 键 词:巴托克  弦乐四重奏  段落划分  第一乐章

A Structural Analysis of the First Movement of Bartok's "The Third String Quartet"
Authors:Zheng Gang
Abstract:Music always has paragraph division. A good understanding of the musical structure provides the premise of understanding the music. Traditional music has harmony cadence as its sign. However, in the modern music of the 20th century as Bartok's "The Third String Quartet", the major-minor tuning system is no longer adopted, and therefore traditional harmony cadence does not exist any more. In this situation, what is the structure of the first movement and what factors influence the paragraph division of this movement form the motivation of our study of this movement.
Keywords:Bartok  String Quartet  paragraph division  the first movement  
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