兴义的缠夹与敞开

兴,是中国古典美学特别是古典诗学的重要范畴,兴义的"缠夹"自朱自清先生提出以来,众多学者试图解开这种"缠夹",结果是越解越缠夹,从而形成了所谓"兴义缠夹问题"。而实际上,兴义的缠夹具有不可解性,缠夹是兴的基本特性,正是兴的缠夹向我们敞开了兴的真实面目。兴是诗的本体或依据,是诗的基本方式。兴内在地决定着诗的创作和表达,决定着中国诗的审美特性。

Meanings of Poetic Mood:Twining & Opening

Poetic mood is a very important field of ancient Chinese aesthetics, especially of ancient Chinese poetry. Since the meanings of poetic mood put forward by Mr. ZHU Zhi-qing, many scholars have tried to solve such twining, but its result has become more and more twining, so has formed so-called twining question of the meanings of poetic mood. The twining of meanings of poetic mood is of un-explanation, and is the basic characteristics of the poetic mood, which shows us the true nature of poetic mood. Poetic mood is the noumenon and basis, and also the basic mood of the poetry. Poetic mood inherently decides the creation and explanation, and also decides the aesthetics nature of Chinese Poetry.