| 《秦腔》叙事时间研究 |
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| 引用本文： | 苗变丽.《秦腔》叙事时间研究[J].江汉大学学报(人文科学版),2011(4):84-88. |
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| 作者姓名： | 苗变丽 |
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| 作者单位： | 河南大学民生学院,河南开封,475000 |
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| 摘 要： | 《秦腔》采取了一种＂乡俗＂的叙事策略。从文本时间特性方面看,细说慢写的风格形成了重复、弥散和绵延的日常性时间特征。对人物产生实际影响的,是日暮晨昏、节气变化、寒暑交替,这是＂一堆鸡零狗碎的泼烦日子＂。但同时作者又采取了两种方法来超越日常时间庸常性的拘囿。这体现在两个方面,一是世代生成性时间,二是疯癫叙事的手法。
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| 关 键 词： | 贾平凹 《秦腔》 叙事时间 叙事手法 |
A Research on the Narrative Time in Shanxi Opera |
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| MIAO Bian-li.A Research on the Narrative Time in Shanxi Opera[J].Journal of Wuhan Institute of Education,2011(4):84-88. |
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| Authors: | MIAO Bian-li |
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| Institution: | MIAO Bian-li(Minsheng College,He'nan University,Kaifeng 475000,He'nan,China) |
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| Abstract: | Shanxi Opera adopts narrative tactics of ＂folk＂.From the characteristics of text time,the detailed narration and slow development form feature of routing time of repetition,dispersion and liberalness.The actual influence on the characters is the time of dusk,rotation of solar terms and four seasons,which is ＂the time of bits and pieces＂.At the same time,the author also adopts two methods to break the limitation of routing time： the time formed over generations and the method of narration by the mad. |
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| Keywords: | Jia Pingwa Shanxi Opera narrative time narrative method |
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