论近代“宋诗派”宋诗接受理论体系

在晚清多元化的诗坛格局中，“宋诗派”以独特的审美宗尚而独标笤颖。道成诸公以“开元、天宝、元和、元祜诸大家为职志”，“同光体”诗人宗“三元”、主“三关”，打破分唐界宋的畛域，力求会通唐宋。“宋诗派”从宋诗接受范型、美学视角、终极目标以及宋诗学史体系的建立等四个雏面，建构了宋诗接受完整的学理体系。

On the Song Poetry Reception Theory System of Modern "Song Poetry School"

In the diverse poetic circle of late Qing Dynasty, the modem ＂Song Foetry School＂ outshined the others with unique aesthetic standards. The school members in Daoguang and Xianfeng periods valued the poets in Kaiyuan, Tianbao periods （Tang Dynasty） and Yuanhe, Yuanyou periods （Song Dynasties） . The school members in Tongzhi and Guangxi periods advocated the appreciation of poets in Kaiyuan, Yuanhe and Yuanyou periods and upheld integration of the poetry in Yuanyou period in Song Dynasty, Yuanhe period in Tang Dynasty and Yuanjia period in Jin Dynasty; they tried to break the temporal division and integrate the poetry poetries of Tang and Song Dynasties. The Modem ＂Song Poetry School＂ constructed a complete theoretical system of Song poetry reception in dimensions of reception paradigm, aesthetic perspectives, ultimate goals and poetic history system.