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从哲学到艺术——解析鲍德里亚的交换观念与艺术转向
引用本文:李先游.从哲学到艺术——解析鲍德里亚的交换观念与艺术转向[J].新疆大学学报(社会科学版),2010,38(2):104-108.
作者姓名:李先游
作者单位:中国人民大学文学院,北京100872
摘    要:鲍德里亚的交换观念经历了三个阶段的发展:早期关注现实层面的价值交换,以马克思对商品本质构成的分析为参照,批判了等价原则;中期探究符号性的象征交换,以此颠覆现实原则;晚期思想极端化,形成了基于不确定性原则的不可能的交换,以“无”来重构世界存在的要素和背景,形成了荒诞玄学。最终鲍德里亚将自己的哲学思考和对“无”、“无中生有”的体悟投射到艺术之思当中,阐释当代艺术现实的真相。这一转向是鲍德里亚交换观念的现实推衍,显示出他抛弃理论生产,重铸艺术精神的探索和努力。

关 键 词:鲍德里亚  交换观念    艺术转向

From Philosophy to Art: A Study of Baudrillard's Exchange View and Artist Turn
LI Xian-you.From Philosophy to Art: A Study of Baudrillard''s Exchange View and Artist Turn[J].Journal of Xinjiang University,2010,38(2):104-108.
Authors:LI Xian-you
Institution:LI Xian-you (College of Literature, People's University of China, Beijing, 100872)
Abstract:Baudrillard's view of exchange has three stages: firstly Baudrillard paid attention to the exchange of values which are compared with the essence of Marx's analysis of the commodity, as a critique to the principle of equivalence; Secondly Bandrillard explored the symbolic exchange, which subverts the reality principle; Thirdly, based on the uncertainty rule, Baudrillard constructed the impossible exchange to form metaphysics, which deconstructs the elements and background of the world. Eventually Baudrillard devoted his thinking of Nothing and ex nihilo to the explanation of the truth of art and the reality of contemporary art. This turn ex- tends Baudrillard's exchange view, and also reflects his abandonment of theory production, which shows BaudriUard's exploration and efforts to seek the artistic spirit.
Keywords:Baudrillard  The view of Exchange  Nothing  Artist Turn
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