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一种权威意识的引退 --评新时期小说创作中阶级意识的消解
引用本文:周水涛.一种权威意识的引退 --评新时期小说创作中阶级意识的消解[J].哈尔滨工业大学学报(社会科学版),2002,4(3):111-115.
作者姓名:周水涛
作者单位:武汉大学,湖北,武汉,430074
基金项目:湖北省重点科研项目(2001A27005)
摘    要:塑造具有多重属性的人物,模糊阶级分野,以非阶级性意识淡化阶级斗争或阶级对立的绝对性、单纯性以及阶级斗争的绝对权威性,是作家们消解阶级意识的重要方式.从思想意识方面看,这一现象的出现,主要是新时期作家在一定的社会意识和社会思潮的促动下,对中国当代政治、中国现代历史和国民性进行反思和考量的结果.从艺术方面看,这一倾向又是艺术反叛的表现.这一创作倾向在体现社会思想解放、人文科学的进步和文学自身发展的同时,也显露出部分作家的思想偏颇.

关 键 词:阶级意识  阶级斗争  消解  淡化  国民性
文章编号:1009-1971(2002)03-111-05
修稿时间:2002年8月20日

On the dispelling of class awareness in novels of modern times
ZHOU Shui - tao.On the dispelling of class awareness in novels of modern times[J].Journal of Harbin Institute of Technology(Social Sciences Edition),2002,4(3):111-115.
Authors:ZHOU Shui - tao
Abstract:In Chinese noveis of modern times, writers are trying to dispel the class awareness by means of portraying figures with multi -sided attributes, shadowing the class demarcation line, or thinning the absoluteness, pureness and authority of class struggle. From the perspective of ideology, the appearance of this phenomenon is the result of writers'deep pondering over politics, history and peoples general character in China. From the artistic perspective, this tendency of writing is an artistic expression against traditions. It presents a new development in literature with more freedom of ideas and more humanity expressed. But at the same time, this tendency also reflects that some writers are partial and one - sided in their views.
Keywords:class awareness  Chinese novels  modem times  ideology  
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