| 论转喻性思维在京剧艺术语言中的表现 |
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| 引用本文： | 张宗洁.论转喻性思维在京剧艺术语言中的表现[J].安徽农业大学学报(社会科学版),2008,17(3):84-87. |
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| 作者姓名： | 张宗洁 |
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| 作者单位： | 安徽大学外国语学院,安徽合肥,230039 |
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| 摘 要： | 文章旨在说明中国京剧在表演程式和化妆服饰这些舞台语言上表现出的写意性特征,与西方转喻理论有很多相通之处.作者通过自己多年的欣赏与观察,对这两个方面的结合进行了描述性研究,发现京剧舞台语言中也有很多可以证明西方转喻理论的例证,并从舞台的空间时间限制、文化和认知角度进行了解释.
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| 关 键 词： | 转喻 京剧 表演程式 化妆 服饰 |
On the Manifestation of Metonymy in the Performance Stylization, Make- up and Costume Design of Beijing Opera |
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| Zhang Zong-jie.On the Manifestation of Metonymy in the Performance Stylization, Make- up and Costume Design of Beijing Opera[J].Journal of Anhui Agricultural University(Philosophy & Social Sciences Edition),2008,17(3):84-87. |
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| Authors: | Zhang Zong-jie |
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| Institution: | School ofForeign Languages, Anhui University |
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| Abstract: | The author in this paper, based on her own observation, finds that Beijing Opera, in its performance stylization, costume design and make-up, demonstrates a lot of evidence to prove the classical metonymical theory advanced by the western scholars. This point of view is further analyzed and explained on the stagecraft, cultural and cognitive levels. |
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| Keywords: | metonymy Beijing Opera stylized movements make-up costume |
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