| 论中国绘画史中的“古拙”风格 |
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| 引用本文： | 虞敏.论中国绘画史中的“古拙”风格[J].南昌大学学报(人文社会科学版),2008,39(5). |
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| 作者姓名： | 虞敏 |
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| 作者单位： | 南昌大学,建筑工程学院,建筑学系,江西,南昌,330031 |
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| 摘 要： | "古拙"风格在中国绘画史中享有崇高地位.它的产生总是针对着繁缛、空洞的形式主义的流行与泛滥,因此"古拙"风格蕴涵着批判意识.它根植于中国传统的艺术感知方式,这使其既高不可及,又无法被继承超越.而中国近代、当代艺术界"古拙"风格的频繁出现,其实隐藏着本土文化衰落的深刻危机.
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| 关 键 词： | "古拙"风格 形式与内容 中国文人画 传统文化 |
A Study of Primitive Crudity Style in Chinese Painting |
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| YU Min.A Study of Primitive Crudity Style in Chinese Painting[J].Journal of Nanchang University(Humanities and Social Sciences),2008,39(5). |
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| Authors: | YU Min |
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| Institution: | YU Min(School of Architecture & Engineering,Nanchang University,Nanchang 330031,China) |
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| Abstract: | Primitive Crudity style has been holding an important position in Chinese painting.In fact,primitive crudity style has come into being because the artists restricted the development of the form of artistic creation in order to highlight the content.It not only has a visible difference,but also inherent relation with other aesthetic forms.Primitive crudity style can be divided into two kinds : one appears in the initial stage of artistic form,and the other in its most flourishing and downfall stage with the ... |
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| Keywords: | primitive crudity style form and content Chinese intellectual\'s painting traditional culture |
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