| 2O世纪中国诗歌语言观念的演变 |
| |
| 引用本文： | 张向东.2O世纪中国诗歌语言观念的演变[J].甘肃联合大学学报(社会科学版),2004,20(2):36-39. |
| |
| 作者姓名： | 张向东 |
| |
| 作者单位： | 北京师范大学,文学院,中国,北京,100875 |
| |
| 摘 要： | 20世纪中国诗歌所经历的发展道路和在不同时期呈现的美学风貌,是基于两种相互冲突、相互借鉴的语言观———工具论和本体论,在不同历史语境中的实现程度。在当下的复杂语境中,诗歌语言如何在自我指涉和外在指涉之间寻求一个平衡点,重建现代汉语诗歌的价值维度,成了决定新世纪诗歌走向的关键所在。
|
| 关 键 词： | 语言观念 工具论 本体论 |
| 文章编号： | 1009-4938(2004)02-0036-04 |
| 修稿时间： | 2003年8月24日 |
The Development of Linguistic Concept of Chinese Poetry in 20th Ceutury |
| |
| ZHAG Xiang-dong.The Development of Linguistic Concept of Chinese Poetry in 20th Ceutury[J].Journal of Gansu Lianhe University:Social Sciences,2004,20(2):36-39. |
| |
| Authors: | ZHAG Xiang-dong |
| |
| Abstract: | The development trail of Chinese poetry in 20th century and their aesthetic style and feature during different periods are based on the realizing level in different historical linguistic position of two kinds of linguistic concepts --instrumentology and ontology, which are contradictory and drawn on each other.In the present complex position,it has become a key to leading the poetry's trend in a new century how the poet language seek for a balance point between self-relating and external relating,and rebuild value standard of Chinese poetry. |
| |
| Keywords: | linguistic concept instrumentology ontology |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
