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论谢赫“六法”之间的辩证关系
引用本文:王玉贞.论谢赫“六法”之间的辩证关系[J].山西大同大学学报(社会科学版),2010,24(4):101-104.
作者姓名:王玉贞
作者单位:山西大同大学艺术学院,山西,大同,037009
基金项目:山西大同大学青年科学研究项目 
摘    要:南齐谢赫在《画品》中首次提出了"六法"论,成为中国美术史上影响最深远的美学理论之一。"六法"是一个非常严密的理论体系,六法之间的辩证关系也较为复杂。在具体应用中,"六法"包含两重意义,即绘画技能和品评要素。作为绘画技能来讲,六法之间没有主次之分,都是绘画创作的必要技能之一;但作为品评来讲,六法之间的关系随时代而变化,基本上呈现出渐重"气韵生动"而轻"骨法用笔"和"应物象形"的趋势。

关 键 词:谢赫  六法  辩证关系  创作  品评

A Discussion on the Dialectical Relationships among The Six Methods'by Xie He
WANG Yu-zhen.A Discussion on the Dialectical Relationships among The Six Methods'by Xie He[J].Journal of Shanxi Datong University(Social Science Edition),2010,24(4):101-104.
Authors:WANG Yu-zhen
Institution:WANG Yu-zhen(School of Arts,Shanxi Datong University,Datong Shanxi,037009)
Abstract:Xie He first put forward 'The Six Methods' theory in his 'Hua Pin',which became the most influencing aesthetic theory in Chinese art history.It is a very strict theoretical system,and the dialectical relationships among the 6 elements are complicated.In practice,'The Six Methods' embodies two meanings,i.e.painting skills and appreciation factors.For painting skills,there are no priorities;however,for appreciation purposes,the relationships among the six methods change over time,which is putting more stress on liveliness and less stress on 'bone-method' and 'symbolizing'.
Keywords:Xie He  the Six Methods  dialectical relationships  creation  appreciation
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