| 论《李凭箜篌引》的道教文化内涵 |
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| 引用本文： | 昌庆志.论《李凭箜篌引》的道教文化内涵[J].渤海大学学报(哲学社会科学版),2003,25(6):40-43. |
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| 作者姓名： | 昌庆志 |
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| 作者单位： | 广东商学院,中文系,广东,广州,510320 |
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| 摘 要： | 李贺诗《李凭箜篌引》中繁密的神灵意象来源于道教神仙谱系或神仙故事,诗中表现出的音乐效果与道教音乐理想契合,在审美追求上该诗又与道教文学的审美情趣具有一致性,因而整首诗的意象或意象群为道教文化所牵系,形成了以神仙世界为图景、以道教音乐理想为内核、以道教文学情趣为总特征的文化内涵。
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| 关 键 词： | 道教文化 意象 音乐理想 审美情趣 |
| 文章编号： | 1001-6333(2003)06-0040-04 |
| 修稿时间： | 2003年5月27日 |
On the Connotation of Taoism Culture about the Poem LiPinKongHouYin |
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| CHANG,Qingzhi.On the Connotation of Taoism Culture about the Poem LiPinKongHouYin[J].Journal of Bohai University:Philosophy and Social Science Edition,2003,25(6):40-43. |
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| Authors: | CHANG Qingzhi |
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| Abstract: | In the poem LiPinKongHouYin,not only lots of spiritual beings originatde from immortal family or immortal tales in Taoism culture,but also the aesthetic ideal about music agreed with the Taoism music idea,and also the poem showed aesthetic taste of Taoism literature.So the various images or image groups in the poem were correlated by Taoist culture,and plentiful connotations of the poem came into being,which took the Taoism music idea as a core and the immortal world as a picture. |
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| Keywords: | Taoist culture image music idea esthetic taste |
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