| 李白《静夜思》版本嬗变及其诗学思想阐释 |
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| 引用本文： | 袁茹.李白《静夜思》版本嬗变及其诗学思想阐释[J].安徽大学学报(哲学社会科学版),2010,34(2):62-69. |
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| 作者姓名： | 袁茹 |
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| 作者单位： | 安徽师范大学文学院,安徽,芜湖,241000 |
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| 摘 要： | 由宋到清代《静夜思》版本嬗变情况可见:明代《静夜思》版本错综交杂,共有八种之多;比较宋本和当今流行的两个"明月"本,其中的"床"字具有不同的内涵,审美过程也有室外"赏月思乡"和室内"触月思乡"之别,"形象圆整性"的审美原则得到更充分的认识;明人对《静夜思》版本的改变是"故意误读",应肯定其积极意义。
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| 关 键 词： | 李白 《静夜思》 版本 床 唐诗 |
The Transmutation of Versions of Li Bai's A Tranquil Night and It's Thoughts of Poetry |
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| YUAN Ru.The Transmutation of Versions of Li Bai's A Tranquil Night and It's Thoughts of Poetry[J].Journal of Anhui University(Philosophy & Social Sciences),2010,34(2):62-69. |
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| Authors: | YUAN Ru |
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| Institution: | YUAN Ru doctoral c,idate of College of Chinese Language , Literature,Anhui Normal University,Wuhu,Anhui,241000 |
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| Abstract: | From the transmutation in Li bai's A Tranquil Night of different versions from Song to Qing Dynasty,it can be found that in the periods of Ming Dynasty,there are various versions amounting to eight types concerning this poem.Compared the version of Song with other two popular editions of Ming,some variations can be figured out from them:the connotations of the word Bed in different editions are not the same;the aesthetic process varies from Enjoying the bright moon and Longing for home outside to Being touc... |
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| Keywords: | Li Bai A Tranquil Night version bed Tang poetry |
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