| 论曹禺早期剧作中的人性理念 |
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| 引用本文： | 张剑.论曹禺早期剧作中的人性理念[J].石河子大学学报(哲学社会科学版),2010,24(1):58-62. |
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| 作者姓名： | 张剑 |
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| 作者单位： | 南京大学,中国现代文学研究中心,江苏,南京,210093 |
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| 摘 要： | 在曹禺的一生中,对于话剧创作与"人"的关系,经历了一个"肯定—否定—否定之否定"的认识过程。用话剧去探索人性、表现人性,是其创作的初衷与最终目的。在他的早期剧作《雷雨》、《原野》和《北京人》中,作者表达了自己对于人性的系统的思考。他高度肯定了人的"蛮性"、欲望、情感并赋予其人性解放的意义,同时又对其保持着高度的警惕。人性若要圆满,必须对人的欲望、情感进行提升,路径有两条:一是宗教,一是理性。
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| 关 键 词： | 曹禺 人性 情感 宗教 理性 |
The Concept of Humanity in Cao Yu's Early Plays |
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| ZHANG Jian.The Concept of Humanity in Cao Yu's Early Plays[J].Journal of SHIHEZI University(Philosophy and Social Science),2010,24(1):58-62. |
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| Authors: | ZHANG Jian |
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| Institution: | ZHANG Jian (Contemporary Chinese Literature Research Center,Nanjing Unviersity,Nanjing 210093,Jiangsu,China) |
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| Abstract: | In Cao Yu's life,the relationship between the creation of modern drama andhuman beingwent through a process ofaffirmation-negation-negation of negation.His original and ultimate purpose was to probe into life and represent life.In his early plays,such as Thunderstorm,Open Country,and Beijinger,the author expresses his systematic thinking about humanity.He affirms human barbarism,desires, and feelings,and endows it with the emancipation of humanity.At the same time,he is highly alert to it.For humanity to be... |
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| Keywords: | Cao yu humanity feelings religion rearon |
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