论民族志电影的"真实"

为保证民族志影片的科学性而提出的民族志电影的真实性原则是影视人类学研究中讨论已久的一个话题。作者将从民族志电影的相关制作过程出发，探讨民族志电影的真实原则以及与之相关的客观性问题。实际上，我们并不能在民族志电影的前期设计、田野调查、实地拍摄和后期编辑过程中始终保持我们想象的完全客观的立场和观点。而只能通过电影语言来实现民族志电影在时间和空间方面的重构，并从中体会到我们所说的真实——一个既不是完全真实，也不是完全虚假的现实重构。

Authentic Principle in Ethnographic Film

Authentic principle is an issue bogged down in endless argument in visual anthropology research. Based on the survey on whole film producing process, the paper has illustrated the authentic principle and objectivity related in ethnographic filmmaking. In fact, the filmmaker could not always keep objective ideas absolutely like we always imagined in prior designing, fieldwork, shooting period, and post-editing. The authentic principle we have discussed is achieved by the reconstruction of time and space by filmic language, not absolutely authentic or fiction.