泉州厦门两地南音“叫字”比较研究

在前人研究的基础上进一步探讨南音＂叫字＂的方法和规则：南音＂叫字＂有文读、白读、混读、官话、外地方言、古语、外来语、变化音、交替读音等读音方法,并约定俗成一定的读音规则。在长期传承和发展中受到方言、师承等方面影响,泉厦两地南音的＂叫字＂形成了一定的差异,主要表现在方音差异、读音法不同、用韵不同等方面。＂叫字＂的差异进一步影响两地南音演唱的咬字吐音及旋律唱腔,使两地南音展现出不同风格的艺术之美。南音艺术和语言都是不断发展的,应当用发展的眼光来看待南音的＂叫字＂。

A Comparative Study of "jiao zi" in South Music in Xiamen and Quanzhou

This paper further explores the ways and rules of ＂jiao zi＂in South Music on the basis of previous studies.There are several ways of its pronunciation as follows：literal reading,vernacular reading,mixed reading,Mandarin,nonlocal dialect,old saying,foreign language,chromatic tone,alternant pronunciation and so on.All these pronunciations are established by usage.Due to the influence exerted by dialect and teachers in the long transfer and development,＂jiao zi＂ has formed its own feature in Quanzhou and Xiamen,and their differences mainly lie in dialectal accent,pronunciation and rhyme.The differences of ＂jiao zi＂ also further influence the articulation,melody and singing,which create a different style of art enjoyment.The art and the language of South Music are continuously developing.Therefore,＂jiao zi＂ should be viewed in the perspective of development.