略论鲁迅戏曲观的局限与偏颇

20世纪20年代,鲁迅多次撰文对梅兰芳及中国传统戏曲进行批评与质疑。鲁迅对中国传统戏曲的否定,是基于他彻底的反对封建文化的立场和态度,是时代的产物,也有其深刻的历史根源和积极的现实意义。他的偏颇在于忽略对戏曲艺术自身规律与特点的研究分析。鲁迅对戏曲舞台上“男人演女人”现象的批评是他否定中国传统戏曲的一个重要方面。它的局限在于忽视了男旦在中国传统戏曲艺术中的特殊审美价值。

The Limitation and Prejudice of Lu Xun's Opinion on China Opera

In 1920's,LuXun wrote many articles to show his criticism and query to Mei Lanfang and the Chinese traditional opera.His negation to the Chinese traditional opera was based on his position and attitude that he completely opposed the feudal civilization.It was the product of that epoch,and also had the profound historic origin and positive realistic significance.He had this kind of attitude,just because he ignored to analyse the self regulation and feature of the opera art.LuXun's criticism to the phenomenon that male acted as felmale on the opera stage,was a very important aspect of his negation to the Chinese traditional opera.Its limitation is because he ignored the NanDan's special aesthetic value in the Chinese traditional opera art.