论德彪西《牧神午后》作品中的和声语言及手段

和声语言的使用是克洛德·德彪西音乐艺术中最有独创意义的部分。他是在晚期浪漫派、民族乐派和声基础上 ,以革新的思维 ,经过长期艰苦的探索 ,终于突破了统治欧洲音乐达一百五十多年之久的大、小调和声体系。树立起以色彩表现为主的印象主义和声的新风格。这是和声学中的内部矛盾———即“功能”与“色彩”的对立统一关系中 ,色彩因素居于主导地位的表现 ,是大、小调功能和声经过古典主义和浪漫主义阶段而发展到另一极端的结果。在他的作品《牧神午后》中充分体了这一特征。就和声语言及运用手段相对古典和声学来说是一种创新和发展。

On Harmony Language and Method in Debussy's The Afternoon of a Faun

The harmony language used is the most creative in Claude Debussy's musical art.He estabelished a new style of impressionism harmony colour as main expression and broke major key and minor harmory system that had ruled European music for over 150 years on basis of later romanticism and nationalism harmony through long-term exploring arduously ,This is harmony contradiction that colour factors is mainly expressed major key and minor harmony from classicalism to another extremeness. The Afternoon of a Faun shows the features that Debussy used harmony language and method, which is a new development for classical harmony.