| 儒、释、道对中唐诗歌的影响 |
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| 引用本文： | 李红春,陈炎. 儒、释、道对中唐诗歌的影响[J]. 求是学刊, 2002, 29(5): 92-98 |
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| 作者姓名： | 李红春 陈炎 |
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| 作者单位： | 1. 山东大学 文学院，山东 济南 250100
2. 山东大学 文艺美学研究中心，山东 济南 250100 |
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| 基金项目： | 中国普通高等学校重点科研基地“十五”规划重大项目经费资助 |
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| 摘 要： | 在儒、释、道三教发生裂变的中唐时代 ,中唐诗歌在美学面貌上表现得异常丰富、复杂。此时的诗人在较为自觉的审美理想的指导下 ,逐渐形成了相对明晰的美学流派。在众多的流派之中 ,择其大端可分为以元稹和白居易为代表的“浅切派”、以韩愈和孟郊为代表的“险怪派”、以刘长卿和韦应物为代表的“隐逸派”等三支。从文化资源上看 ,这三种美学倾向显然分别与儒、释、道三教存在着相当紧密的内在联系
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| 关 键 词： | 儒家 道教 佛教 中唐诗歌 |
| 文章编号： | 1000-7504(2002)05-0092-07 |
| 修稿时间： | 2001-12-20 |
The Influences of Confucianism, Buddhism and Taoism on the Poetry in the Middle Tang Dynasty |
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| LI Hong-chun CHEN Yan. The Influences of Confucianism, Buddhism and Taoism on the Poetry in the Middle Tang Dynasty[J]. Seeking Truth, 2002, 29(5): 92-98 |
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| Authors: | LI Hong-chun CHEN Yan |
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| Affiliation: | LI Hong-chun 1 CHEN Yan 2 |
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| Abstract: | While Confucianism, Buddhism and Taoism were splitting in middle Tang Dynasty, the poetry of this time was exceptionally abundant and complex in its aesthetic style. Directed by self-conscious aesthetic ideal, poets gradually formed comparatively transparent aesthetic genres. Among many of them, we may choose three main genres: the popular genre represented by Yuan Zhen and Bai-Juyi, the rugged and queer genre by Han Yu and Meng Jiao, and the secluded genre by Liu Changqing and Wei Yingwu. Considering the cultural resource, we can see that these aesthetic styles contact closely with Confucian, Buddhism and Taoism. |
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| Keywords: | Confucianism Taoism Buddhism Poetry in the middle Tang Dynasty |
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