| 艺术滑稽的渊源追溯 |
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| 引用本文： | 顾聆森.艺术滑稽的渊源追溯[J].苏州科技学院学报(社会科学版),2001,18(3):60-65. |
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| 作者姓名： | 顾聆森 |
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| 作者单位： | 苏州市戏曲艺术研究所 江苏苏州215005 |
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| 摘 要： | 最早的“滑稽”职业演员可以追溯到古代俳优 ,而语言 (包括肢体语言 )就是艺术滑稽的主要存储体。在漫长的演进历史中 ,原始的艺术滑稽经历了它存储载体的频繁更迭 ,才在 2 0世纪前叶 ,成为了一种独立而独特的表演艺术样式———滑稽戏剧
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| 关 键 词： | 俳优 参军戏 科白戏 趣剧 独脚戏 |
Tracing the Origin of Farce |
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| GU Ling-sheng.Tracing the Origin of Farce[J].Journal of University of Science and Technology of Suzhou:Social Science,2001,18(3):60-65. |
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| Authors: | GU Ling-sheng |
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| Abstract: | The earliest professional buffoons were comedians in the ancient times. The language they used, including their body language, was the main carrier of farce. In its long history of development, the earliest form of farce has undergone the frequent changes and developed into an independent and unique form of performing arts-farce opera in the early decades of the 20th century. |
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| Keywords: | comedian the Canjun drama classical Chinese drama dominated by actions and spoken parts farce one-man show |
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