| 文艺心理学阐释的两极:创作与接受 |
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| 引用本文： | 张荣翼,李澜. 文艺心理学阐释的两极:创作与接受[J]. 中南民族大学学报(人文社会科学版), 2005, 25(5): 139-142 |
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| 作者姓名： | 张荣翼 李澜 |
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| 作者单位： | 武汉大学,文学院,湖北,武汉,430072 |
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| 摘 要： | 创作和接受分别处于信息的发出和接收的两极,因此对文艺心理学的研究也就呈现为两极.在20世纪以前,文艺创作探究往往具有一种神秘化趋向.在20世纪,则主要有精神分析学说等作为理论的凭借.至于接受心理,除了这些一般心理学的理论资源外,还多了一些本身并不是心理学的理论的支撑,譬如从生产和消费之间的关系来建构关于文艺接受心理的基本框架.
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| 关 键 词： | 文艺心理学 创作 接受 |
| 文章编号： | 1672-433X(2005)05-0139-04 |
| 修稿时间： | 2005-03-18 |
The Exposition Bipolarity of Literature and Art Psychology-Creation and Acceptance |
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| ZHANG Rong-yi,Li Lan. The Exposition Bipolarity of Literature and Art Psychology-Creation and Acceptance[J]. Journal of South-Central University for Nationalities:Humanities and Social Science, 2005, 25(5): 139-142 |
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| Authors: | ZHANG Rong-yi Li Lan |
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| Abstract: | Creation and acceptance are the bipolarity of the sending and receiving information.Likewise there is the bipolarity of literature and art psychology study.Before the 20th century,the study of artistic and literary creation was characterized by mysticism;in the the 20th century,the research resorted to psychoanalysis theories.As far as acceptance psychology,in addition to general psychological theories,some other theories are resorted to.The relationship between production and consumption is applied to construct the fundamental frame of art and literature acceptance psychology. |
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| Keywords: | literature and art psychology creation acceptance |
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