| 论昆曲吴江派 |
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| 引用本文： | 林深.论昆曲吴江派[J].苏州科技学院学报(社会科学版),2006,23(2):77-81. |
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| 作者姓名： | 林深 |
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| 作者单位： | 苏州戏曲艺术研究所,江苏,苏州,215005 |
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| 摘 要： | 昆曲吴江派是明万历年间形成于吴中的以沈为领袖的主要昆曲流派,成员包括了吴、越两地最著名的曲家,如沈自晋、沈自征、王骥德、吕天成、叶宪祖、卜世臣、冯梦龙、顾大典、范文若、袁于令、徐复祚、等。吴江派以“本色论”和“音律论”为支柱,统一了案头与场上的二元理论,创建了的昆剧的曲学体系,作为一种集体创造,这个曲学体系涵盖了昆剧音乐和文学的两个层面,不失为我国古代戏曲中较为科学与精辟的理论。
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| 关 键 词： | 吴江派 本色 音律 双美 |
| 文章编号： | 1672-0695(2006)02-0077-05 |
| 修稿时间： | 2006年2月18日 |
On Wujiang School of Kunqu Opera |
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| LIN Shen.On Wujiang School of Kunqu Opera[J].Journal of University of Science and Technology of Suzhou:Social Science,2006,23(2):77-81. |
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| Authors: | LIN Shen |
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| Abstract: | Wujiang School of Kunqu opera emerged in the Ming Dynasty and was represented by such figures as Shen Zi-jing, Shen Zi-zheng, Wang Ji-de, Lu Tian-chen, Ye Xian-zu, Bu Shi-chen, Feng Meng-long, Gu Da-dian, Fan Wen-ruo, Yuan Yu-ling, Xu Fu-zuo. Wujiang School established the music form of Kunqu opera on the basis of "the true quality" and "tunality" , guided by the dualist approach of the literary creation and the stage performance. This music form covers both the music and the literature of Kunqu opera , and becomes a scientific and brilliant theory of Chinese ancient folk operas. |
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| Keywords: | Wujiang School true quality tonality double beauty |
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