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革命立场与女性意识的较量--读《一九三○年春上海》(之二)和《夜》
引用本文:叶奕翔. 革命立场与女性意识的较量--读《一九三○年春上海》(之二)和《夜》[J]. 西华师范大学学报(自然科学版), 2003, 0(6): 48-51
作者姓名:叶奕翔
作者单位:叶奕翔(华南师范大学人文学院,广东,广州,510631)
摘    要:在丁玲的短篇小说<一九三○年春上海>(之二)和<夜>中,作家的创作意图与作品的客观效果发生了背离其女性意识比革命立场更为引人注目;小说的艺术重心在女性意识,丁玲思想中深植的女性意识,其创作方法上的矛盾,以及社会革命与女性命运的不一致,是导致这一背离的几个原因.

关 键 词:丁玲  革命立场  女性意识  背离
文章编号:1005-1465(2003)06-0048-04
修稿时间:2003-01-15

CONTEST BETWEEN REVOLUTIONARY STAND AND FEMALE CONSCIOUSNESS--Comprehension of 1930''''s Spring,Shanghai and a Night
YE Yi-xiang. CONTEST BETWEEN REVOLUTIONARY STAND AND FEMALE CONSCIOUSNESS--Comprehension of 1930''''s Spring,Shanghai and a Night[J]. Journal of China West Normal University(Philosophy & Social Sciences), 2003, 0(6): 48-51
Authors:YE Yi-xiang
Abstract:The objective effects of Ding Ling' s stories 1930' 5 Spring, Shanghai ( No .2) and Night deviate from the writer's intention of creating them: the female consciousness is much more conspicuous than the revolutionary stand;the reasons for it are that the art center of the two stories is the female consciousness deeply planted in Ding Ling' s thought and that the social revolution is not helpful to the complete change of woman' s fortune.
Keywords:Ding Ling  revolutionary stand  female consciousness  deviation
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