| “和谐”与“中和”美论之异同 |
| |
| 引用本文： | 李劲松.“和谐”与“中和”美论之异同[J].延边大学东疆学刊,2007,24(4):64-67. |
| |
| 作者姓名： | 李劲松 |
| |
| 作者单位： | 山东财政学院人文艺术学院 山东济南250014 |
| |
| 摘 要： | 作为东西方古典美学核心观念的两种不同美学形态,"和谐"与"中和"美论之间既存在相通之处,也有着明显的差异.相通之处体现着人类初民共同关心的问题;不同之处则见出两种不同的文化形态各自独具的特征.这些特征在东西方各自的文化发展历程中都得到了不同程度的延续和深化,从中可以看出二者世界观和思维方式之间存在的巨大差异.
|
| 关 键 词： | 和谐 中和 世界观 思维方式 |
| 文章编号： | 1002-2007(2007)04-0064-04 |
| 修稿时间： | 2006年5月17日 |
Difference between "Harmony" and "Neutralization" Aesthetic Theories |
| |
| Li Jinsong.Difference between "Harmony" and "Neutralization" Aesthetic Theories[J].Dongjiang Journal,2007,24(4):64-67. |
| |
| Authors: | Li Jinsong |
| |
| Abstract: | As two different concepts in Oriental and Occidental classical aesthetics,"harmony" and "neutralization" have their similarities as well as notable differences:both show the concern of primitive mankind,and they vary in their distinctive cultural features.These cultural features,to some extent,last and develop in the evolution of their respective culture.And we can also find great differences in their world outlook and modes of thinking. |
| |
| Keywords: | harmony neutralization the world outlook mode of thinking |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
