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从抽象与具象的角度阐释书法的意象本质
引用本文:钟明善,杨晓萍.从抽象与具象的角度阐释书法的意象本质[J].西安交通大学学报(社会科学版),2011,31(2):95-100.
作者姓名:钟明善  杨晓萍
作者单位:西安交通大学,人文社会科学学院,陕西,西安,710049
摘    要:在对现实的反映中,含象形性的书法在单个字上有鲜明的形象性,但其立场与方法却是抽象的;含象形性的书法在整体上,以及今体书法与古体书中的抽象性书法,都主要体现为抽象的意象,但也可通过与生命机理的同构、意义的积淀、由篆书而来的审美传统以及欣赏者的联想等方式产生一定的形象感。在对汉字的反映中,五种书体都是在相似性的基础上进行不似的变化,只是侧重、程度各有不同。

关 键 词:意象  具象  抽象  相似性  不似性

Exponnding the Imagery Essence from the Angle of Abstraction and Representation
ZHONG Ming-shan,YANG Xiao-ping.Exponnding the Imagery Essence from the Angle of Abstraction and Representation[J].Journal of Xi'an Jiaotong University(Social Sciences),2011,31(2):95-100.
Authors:ZHONG Ming-shan  YANG Xiao-ping
Institution:ZHONG Ming-shan,YANG Xiao-ping(School of Humanities and Social Sciences,Xi'an Jiaotong University,Xi'an 710049,China)
Abstract:In the reflecion of reality,there is vivid figurativeness in the single word of pictorial calligraphy,but its standpoint and manner is mainly abstract;The pictorial calligraphy as a whole,the calligraphy of new style and abstract calligraphy in old style mainly embody abstract imago,but they also can bring into figural feelings by the means of isomorphism of lives'mechanism,accumulation of significance,the aesthetic tradition from sealcharacter,and association of the persons enjoying.In the reflecion of Chi...
Keywords:Imago  concretization  abstraction  similarity  dissimilarity  
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